Ann Droid Review: Diane Morgan and Sue Johnston’s Fresh, Funny Robot Comedy Is Just Wonderful
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Channel 4’s brand new original sitcom *Ann Droid* has earned rave reviews from both critics and audiences upon its premiere, widely celebrated as one of the most charming, original British comedy releases of 2024, powered by the irresistible on-screen chemistry of comedy fan favorite Diane Morgan and veteran screen legend Sue Johnston.
The series centers on Barbara, a sharp-tongued, fiercely independent 78-year-old widow living in a small working-class town in Northern England. After Barbara suffers a minor fall at home, her worried grandson gifts her a top-of-the-line domestic humanoid robot named Ann Droid, programmed to handle household chores, monitor her health, and keep her company. What unfolds is a hilarious, heartfelt clash of priorities: Ann is coded to optimize every part of Barbara’s life, from her diet and exercise routine to her social schedule, while Barbara has spent decades living exactly as she pleases, with zero interest in swapping her weekly fish and chip suppers, morning cigarette on the porch, and unplanned pub trips for Ann’s hyper-organized, health-focused agenda.
What makes *Ann Droid* feel so refreshing is its refusal to lean into overused dystopian AI tropes or preachy ethical commentary. Instead, the show leans into quiet, relatable everyday humor, mining laughs from Ann’s deadpan attempts to follow her programming in the face of Barbara’s constant, unapologetic rule-breaking. Diane Morgan, best known for her iconic cult character Philomena Cunk, is perfectly cast as Ann, delivering every line with her signature dry, deadpan delivery that makes even throwaway lines feel laugh-out-loud funny, while small, subtle glitches in Ann’s programming that let tiny flashes of personality peek through add unexpected depth to the role. Sue Johnston, meanwhile, brings immense warmth and nuance to Barbara, avoiding the lazy “grumpy old lady” archetype: her loneliness after the death of her husband, her frustration at being treated as fragile by her family, and her quiet joy at finally having a constant companion to share her days with all shine through, making the show’s softer, more heartfelt moments feel earned rather than forced.
Early viewing figures show the first two episodes drew over 3.2 million live viewers, with a 92% fresh rating on Rotten Tomatoes and an average audience score of 4.7 out of 5. Standout moments from the opening run include Ann attempting to “optimize” Barbara’s weekly bingo night by calculating all possible winning odds only to get banned from the local hall for cheating, Ann secretly recording all of Barbara’s late-night stories about her late husband to save to her internal memory bank, and Barbara teaching Ann how to pull a perfect pint of bitter at her local neighborhood pub.
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I binged the first 3 episodes last night and cried laughing at the bingo hall scene. Diane Morgan’s deadpan delivery was made for this role, and Sue Johnston feels like my own nan on screen. I’ve already recommended it to all my friends who love classic British sitcoms, 10/10.
As a TV critic who’s covered UK comedy for 12 years, I’m blown away by how fresh *Ann Droid* feels. The AI comedy trope has been done to death lately, but pairing Morgan’s signature dry humor with Johnston’s unmatched warmth turns the whole concept on its head. It’s funny, it’s heartfelt, and it never talks down to its audience.
I watched this with my 72-year-old grandma and we both loved it! Nan related so hard to Barbara refusing to eat the “healthy slop” Ann tried to make her, and I lost it at the running gag where Ann keeps trying to report Barbara’s cigarette habit to the NHS. This is exactly the kind of cross-generational comedy we need more of right now.